A. Gyr, P. Koumoutsakos, and U. Burr,
Science and art symposium 2000. 3rd International Conference on Flow Interaction of Science and Art with Exhibition/Lectures on Interaction of Science & Art: Springer, 2000, pp. 339.
Publisher's VersionAbstractSome words about SCART 2000. SCART stands for science and art. SCART meetings are organized in a loose time sequence by an international group of scientists, most of them fluid-dynamicists. The first meeting was held in Hong-Kong, the second one in Berlin, and the third, and latest, one in Zurich. SCART meetings include a scientific conference and a number of art events. The intention is to restart a dialogue between scientists and artists which was so productive in the past. To achieve this goal several lectures given by scientists at the conference are intended for a broader public. In the proceedings they are denoted as SCART lectures. The artists in tum address the main theme of the conference with their contributions. The lectures at SCART 2000 covered the entire field of fluiddynamics, from laminar flows in biological systems to astrophysical events, such as the explosion of a neutron star. The main exhibition by Dutch and Swiss artists showed video and related art under the title ‘Walking on Air’. Experimental music was performed in two concerts. Video and related art was chosen because this medium of expression is very technical and closely related to science and technology. In addition, a common aspect of this kind of art and science is the dimension of time. New ways of possible creative processes were shown with music. The ear decomposes sound by a Fourier analysis, the brain therefore interprets sound in a phase space, whereas images are seen in an analogous form in a physical space. These two impressions are analyzed in two different processing centers in the brain, and it is more than a philosophical question whether we need both types of information to get a reliable grasp of reality. Such ideas were also discussed in two seminars organized by the Collegium Helveticum during the conference. In the proceedings all those interactions cannot be shown, but we hope to transmit a flavor of the interdisciplinary effort, which could stimulate the creativity of the reader as well. Some words about these proceedings. These proceedings contain the scientific contributions, ordered by themes, as they were presented at the conference. To show the close relation between science and art, the proceedings also contain the art part which is reproduced as a catalogue of the exhibition. This part is edited by Nadia Gyr, the curator of the exhibition. Due to this concept and due to the esthetic aspects of many scientific contributions, this book contains a rather extensive representation in colors, 32 pages. It is the hope of the editors, that this book helps in stimulating the dialog between science and art, and that it may also contribute to the continuation of such common efforts.